Chaos Theory & the Nuclear Family
SUNDAY IN RIVERSIDE PARK the Fathers fix their sons in
place, nailing them magically to the grass with baleful
ensorcelling stares of milky camaraderie, & force them to
throw baseballs back & forth for hours. The boys almost
appear to be small St Sebastians' pierced by arrows of
boredom.
The smug rituals of family fun turn each humid Summer
meadow into a Theme Park, each son an unwitting allegory of
Father's wealth, a pale representation 2 or 3 times removed
from reality: the Child as metaphor of Something-or-other.
And here I come as dusk gathers, stoned on mushroom dust,
half convinced that these hundreds of fireflies arise from
my own consciousness -- Where have they been all these
years ? why so many so suddenly ? -- each rising in the
moment of its incandescence, describing quick arcs like
abstract graphs of the energy in sperm.
"Families ! misers of love ! How I hate them !" Baseballs fly
aimlessly in vesper light, catches are missed, voices rise
in peevish exhaustion. The children feel sunset encrusting
the last few hours of doled-out freedom, but still the
Fathers insist on stretching the tepid postlude of their
patriarchal sacrifice till dinnertime, till shadows eat the
grass.
Among these sons of the gentry one locks gazes with me for a
moment -- I transmit telepathically the image of sweet
license, the smell of TIME unlocked from all grids of
school, music lessons, summer camps, family evenings round
the tube, Sundays in the Park with Dad -- authentic time,
chaotic time.
Now the family is leaving the Park, a little platoon of
dissatisfaction. But _that_one_ turns & smiles back at me in
complicity -- "Message Received" -- & dances away after a
firefly, buoyed up by my desire. The Father barks a mantra
which dissipates my power.
The moment passes. The boy is swallowed up in the pattern of
the week -- vanishes like a bare-legged pirate or Indian taken
prisoner by missionaries. The Park knows who I am, it stirs
under me like a giant jaguar about to wake for nocturnal
meditation. Sadness still holds it back, but it remains
untamed in its deepest essence: an exquisite disorder at the
heart of the city's night.
"Hakim Bey"